@英國Thames & Hudson原文書
@全彩精裝/490頁/超大開本25.0 x 33.0 cm
@作者：Maximiliaan Martens, Till-Holger Borchert, Jan Dumolyn, Johan De Smet, Frederica Van Dam
西元2020年春天，比利時根特市立美術館(Museum of Fine Arts Ghent)舉辦有史以來規模最大的范艾克作品大展──《一場視覺革命》(An Optical Revolution )，除了到場的十餘幅畫作(范艾克僅有二十餘幅畫作傳世)，與此同時，由范艾克兄弟所完成的〈根特祭壇畫〉（Het Lam Gods）歷經8年修復後也終於告一段落，重新運回比利時根特的聖巴夫大教堂（Sint-Baafskathgdraal），連同祭壇畫外側的畫作也一同展出，這是根特市立美術館能夠從世界各地借展范艾克其他作品的重要關鍵；本書就是這場大展的同步官方出版品。
Flemish painter Jan Van Eyck (c. 1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge and unparalleled powers of observation, Van Eyck lifted oil painting to previously unseen heights and helped determine the course of Western art. In Spring 2020 the Museum of Fine Arts Ghent, Belgium hosted the largest ever exhibition of Van Eyck’s work. An Optical Revolution included artworks by Van Eyck, several pieces from his studio and international masterpieces from the late Middle Ages, which made the world of Van Eyck more tangible than ever. Central to the exhibition were the eight restored exterior panels of the Adoration of the Mystic Lamb, a highly exceptional loan from St Bavo’s Cathedral in Ghent. After the exhibition the panels were returned to their original place in the cathedral and will never again be shown elsewhere.